Body design, spatial tension, sound and movement of stamping, and finger klicking, a dialogue with spatial forms and structures and sound structures. The other dancing person, my teenage child; Sakari Romero Tuurala, is a spatial and at moments rhythmical counterpoint. He was also a counterpoint to deal with in how much of his summerdays he wanted to put to dancing with mom, who was eager to do this study with him – for two reasons, to do the study and to take him out from the mobile and spend some time together. It had to be fought for.
Body design, spatial tension, sound and movement of stamping, and finger klicking, a dialogue with spatial forms and structures and sound structures. The other dancing person, my teenage child; Sakari Romero Tuurala, is a spatial and at moments rhythmical counterpoint. He was also a counterpoint to deal with in how much of his summerdays he wanted to put to dancing with mom, who was eager to do this study with him – for two reasons, to do the study and to take him out from the mobile and spend some time together. It had to be fought for.