Body design, spatial tension, sound and movement of stamping, and finger klicking, a dialogue with spatial forms and structures and sound structures. The other dancing person, my teenage child; Sakari Romero Tuurala, is a spatial and at moments rhythmical counterpoint. He was also a counterpoint to deal with in how much of his summerdays he wanted to put to dancing with mom, who was eager to do this study with him – for two reasons, to do the study and to take him out from the mobile and spend some time together. It had to be fought for.